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JoJo Siwa Ejects Fan Mid-Gig After Hoodie Mockery Sparks Onstage Confrontation

  • Oct 2, 2025
  • 2 min read

02 October 2025

JoJo Siwa called out a fan for “making fun” of her during her Glasgow concert Wednesday night. devil._.raven/Tiktok
JoJo Siwa called out a fan for “making fun” of her during her Glasgow concert Wednesday night. devil._.raven/Tiktok

During a stop on her Infinity Heart tour in Glasgow, JoJo Siwa abruptly paused her concert to call out a fan wearing a hoodie she perceived as mocking her, telling the crowd “Not in my house, baby!” before having the person escorted out by security. The moment, captured by attendees and later shared on TikTok, saw her firmly address the crowd: “You’re not going to come to my concert and bring a hoodie making fun of me. No way, man!” She reiterated that her shows are meant for “infinity hearts,” a phrase she’s built throughout the tour as a message of positivity and support.


At the time of the incident, Siwa was mid-performance when she halted her set to speak directly to the audience. Security moved swiftly to remove the individual who sparked the disruption, allowing the singer to resume under cheers from her fans. While she did not reveal what the hoodie said or showed, her reaction underscores how closely her public persona and performance boundaries intertwine.


This confrontation comes as part of Siwa’s ongoing evolution from child star to bold pop presence, now riding a wave of personal and creative reinvention. Earlier on the tour in Dublin, her partner Chris Hughes joined her onstage for a dance routine, ringing with nostalgia from their time together in Celebrity Big Brother UK. Siwa has been candid about how that relationship clarified her sense of self; she has publicly identified as queer and explained that their bond influenced how she understood her own identity.


In Glasgow, amidst the tension, she also touched on her fans’ love for Hughes, joking with the audience that while she understands their admiration, he’s her boyfriend and she wants him to simply watch the show. The dynamic between maintaining public connection and setting personal boundaries appears to be evolving in real time on this tour.


In confronting the mocking gesture, Siwa drew a line: performance spaces are not for ridicule but for shared experience and respect. The incident is likely to resonate with fans and observers alike not just as celebrity drama but as a moment where artist and audience renegotiate limits of loyalty, expression, and spectacle.


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